Wiki for Collaborative Studies of Arts, Media and Humanities. Echographies of Television has 42 ratings and 3 reviews. In this important new book, Jacques Derrida talks with BernardStiegler about the effect of telet. Echographies of Television Filmed Interviews. Jacques Derrida – Wiley. Epimetheus Bound: Stiegler on Derrida, Life, and the Technological Condition.
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Echographies of Television: In Search of New Lifestyles by Jacques Derrida
But with the advent of the analogico-digital image, combining two kinds of reproducibility, it becomes clear that the image was always in a way discrete. The book opens with a shorter interview withDerrida on the news media, and closes with a provocative essay byStiegler on the epistemology of digital photography.
Nicholas Anderson rated it really liked it May 14, Putting It Up for Sale. Matthias Fritsch – – Derrida Today 4 2: Analog photography is the result of a “contiguity of luminances,” that is, light reflecting from an object strikes photosensitive film, which is then developed with the use of light, producing a photograph which I see when light reflects from the photograph onto my retina. Nina Zimnik – – Film-Philosophy 4 1.
Find it on Scholar. Sibley rated it liked it Nov 25, Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use this if your affiliation does not provide a proxy. This is, in a way, a matter of the past touching me in the present, of something coming to touch me from out of the night of the past.
The difference between the analog and the digital has traditionally been understood in terms of an opposition between the continuous and the discontinuous. The work of the spectator who puts this together in imagination as a “continuous” whole is a form of synthesis. Brett rated it it was ok Jan 06, The production and realisation of images by an artist or filmmaker is a form of analysis, which treats images as discrete elements to be edited and assembled.
This may mean, for example, that it is necessary to distinguish a politics of immigration from a politics of the right to asylum, because the former presumes the equivalence of the political and the national immigration policy is a matter for the nation-statewhile the latter does not since, for example, motives for immigration, such as unemployment, may fail to conform to immigration requirements, but nevertheless are a kind of dysfunction of the nation, if not indeed the indirect result on poor countries of decisions made by wealthy countries.
Improvising before a camera, the twophilosophers are confronted by the very technologies they discussand so are forced to address all the more directly the urgentquestions that they raise.
Jacques Derrida & Bernard Stiegler, Echographies of Television Filmed Interviews – PhilPapers
Just as Derrida showed that there is no transcendental signified no meaning which can be shown to precede its inscription in a signifier, so too there is no “transcendental imagery” which precedes the image-object. This page was last edited on 29 Juneat This ddrrida because the digital photograph suspends a certain spontaneous belief which the analog photograph bore within itself: Arianada rated it it derrisa amazing Jul 27, Jacques Derrida and Bernard Stiegler.
The performativity of the event exceeds all anticipation or programming, and hence televisionn an irreducible element of messianism, linking it to justice here distinguished from lawas well as to revolution. Please help improve it or discuss these issues on the talk page. This article has multiple issues.
John rated it really liked it Sep 25, Improvising before a camera, the two philosophers are confronted by the very technologies they discuss and so are forced to address all the more directly the urgent questions that they raise. Raphae rated it really liked it Feb 19, Although it is possible to manipulate the analog photo, this is as it were an “accidental” possibility, whereas manipulation is the essence of the digital photo.
Laurie Johnson – – Derrida Today 2 2: We cannot oppose the event, which is the very possibility of a future—we only oppose those particular events which bring things which are not good. Politics must retain a sense of the unanticipated, of the arrival of the absolutely unexpected, the absolute arrivant. It is a matter of understanding that what comes back is on the one hand what must be fought against, and on the other hand irreducible, originary, and necessary.
The examples and perspective in this article or section might have an extensive bias or disproportional coverage towards one or more specific regions.
Chapter 9 Vigilances of the Unconscious.
The doubt and fear caused by the analogico-digital image is therefore also what would make possible this more knowing belief. But if xerrida has never been an image-object without a mental image, even so, there has never been a mental image which is not, in some way, the return of an image-object.